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printed with permission of the Ghetto Fighters’ House Museum

Figure on the shore by Karl Schwesig

printed with permission of the Ghetto Fighters’ House Museum
printed with permission of the Ghetto Fighters’ House Museum

Synagogue, by an unidentified artist

printed with permission of the Ghetto Fighters’ House Museum
Oil painting. GFH Catalog No. 4283, courtesy of the Ghetto Fighters' House Museum

Holocaust by Leon Engelsberg (undated)

Oil painting. GFH Catalog No. 4283, courtesy of the Ghetto Fighters' House Museum
The Yiddish sign at the entry reads:

A queue in the Feldafing Displaced People Camp for George Kadish’s exhibition

The Yiddish sign at the entry reads: "Exhibition of Ghetto Photographs by G. Kadish." GFH Catalog No. 18871. Ghetto Fighters' House Museum, Photo Archive
The Jewish survivor-curators posing below banners which read, in Polish, French, Yiddish and Hebrew “The Extermination of Jews in Poland.” GFH Catalog No. 38507. Ghetto Fighters' House Museum, Israel/Photo Archive

View of the central axis of the Jewish exhibition in Majdanek

The Jewish survivor-curators posing below banners which read, in Polish, French, Yiddish and Hebrew “The Extermination of Jews in Poland.” GFH Catalog No. 38507. Ghetto Fighters' House Museum, Israel/Photo Archive
Color print on paper. From the Emanuel Ringelblum Jewish Historical Institute collection, Courtesy of Jewish Historical Institute, Warsaw, Poland.

Tallit Katan (Tałeskoten) by Zinovii Tolkachev, February 1945

Color print on paper. From the Emanuel Ringelblum Jewish Historical Institute collection, Courtesy of Jewish Historical Institute, Warsaw, Poland.
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34 2 May2020Special Issue: Motherhood and the Holocaust

Introduction: Motherhood During and After the Holocaust: Testimonial and Fictional Perspectives by Helena Duffy

Saints and Martyrs: Popular maternal Tropes in Holocaust Memoir by Carmelle Stephens

(Re)claiming Motherhood in Wake of the Holocaust in Chava Rosenfarb's 'Littel Red Bird' and Valentine Goby's Kinderzimmer by Nathali Segeral

Deportation, the Maternal Abject, and Impossibility of Selfhood: Jacqueline Saveria Hure's 1954 Ni sains ni saufs by France Granaudier-Klijn

The Silence of Mothers: Art Spiegelman's Maus and Phillipe Claduel's Brodeck by Helena Duffy

34 1 Jan2020Folding Memory: The Los Angeles Museum of the Holocaust and the Commemoration of the Shoah by Eran Neuman

The Hall of Remembrance at Yad Vashem: Israel's Holocaust Commemoration Monument by Doron Bar

The 'Gray Zone' in Cinema: Representations of the Kapo in Israeli Cinema by Yvonne Kozlovsky-Golan

 

New Sources on the Holocaust:

The Pre-1914 Origins of Hitler's Antisemitism Revisited by Thomas Weber

The Pre-1914 Origins of Hitler's Antisemitism Revisited - Response by Moshe Zimmermann

33 4 Nov2019Solidarity and Animosity Among Sonderkommando Prisoners in Auschwitz-Birkenau by Gideon Greif

Jewish Collaboration? Honor Court Cases Against Survivors of the Shoah in Postwar Germany by Philipp Dinkelaker

Jewish-Gentile Relations in Hiding during the Holocaust in Sokołów County, Poland (1942 - 1944) by Miranda Brethour

Retroactive Continuity, Holocaust Testimony, and X-Men’s Magneto by Charlotte Werbe

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