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printed with permission of the Ghetto Fighters’ House Museum

Figure on the shore by Karl Schwesig

printed with permission of the Ghetto Fighters’ House Museum
printed with permission of the Ghetto Fighters’ House Museum

Synagogue, by an unidentified artist

printed with permission of the Ghetto Fighters’ House Museum
Oil painting. GFH Catalog No. 4283, courtesy of the Ghetto Fighters' House Museum

Holocaust by Leon Engelsberg (undated)

Oil painting. GFH Catalog No. 4283, courtesy of the Ghetto Fighters' House Museum
The Yiddish sign at the entry reads:

A queue in the Feldafing Displaced People Camp for George Kadish’s exhibition

The Yiddish sign at the entry reads: "Exhibition of Ghetto Photographs by G. Kadish." GFH Catalog No. 18871. Ghetto Fighters' House Museum, Photo Archive
The Jewish survivor-curators posing below banners which read, in Polish, French, Yiddish and Hebrew “The Extermination of Jews in Poland.” GFH Catalog No. 38507. Ghetto Fighters' House Museum, Israel/Photo Archive

View of the central axis of the Jewish exhibition in Majdanek

The Jewish survivor-curators posing below banners which read, in Polish, French, Yiddish and Hebrew “The Extermination of Jews in Poland.” GFH Catalog No. 38507. Ghetto Fighters' House Museum, Israel/Photo Archive
Color print on paper. From the Emanuel Ringelblum Jewish Historical Institute collection, Courtesy of Jewish Historical Institute, Warsaw, Poland.

Tallit Katan (Tałeskoten) by Zinovii Tolkachev, February 1945

Color print on paper. From the Emanuel Ringelblum Jewish Historical Institute collection, Courtesy of Jewish Historical Institute, Warsaw, Poland.
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Special issue: "Sites of Tension" - Transformations of Holocaust Memory in Light of Contemporary European Anxieties

Holocaust Memory Transformations in Contemporary Contexts: An Introduction by Nurit Novis-Deutsch & Tracy Adams

(Re-)Writing the Holocaust After Brexit: The Afterlives of British Fiction by Joanne Pettitt & Sue Vice

Holocaust Analogies, Conspiracy Theories, and Far-Right Victimhood: Forum for Democracy and the Future of Holocaust Memory in the Netherlands by Jazmine D. Contreras

Educational Autonomy and the Holocaust: A Comparative Study of Teachers’ Freedom in European Narratives by Nurit Novis-Deutsch

The Currency Value of the Holocaust and the Dynamics of ‘Zombie Memory’: Toward a Reconceptualization of Contemporary Holocaust Remembrance by Tracy Adams & Shmuel Lederman

In the Shadow of Two Monuments: Local Battlefields of Politics of History in Hungary and Poland by Anikó Félix & Piotr Forecki

cover 38 1

Jan Karski’s Representations – Representing Jan Karski: From Poland’s Secret Messenger to Holocaust Witness by Beate Müller and Sue Vice 

A Voice Behind the Headlines: The Public Relations of the Canadian Jewish Congress during the Holocaust by Nathan Lucky

World Domination and Genocide: The “Lochner Version” of Hitler’s Speech from 22 August 1939, a Key Document of National Socialist Ideology by Norman Domeier

The reception of Holocaust (1978) in Spain: commending and condemning Holocaust memory by Olmo Masa de Lucas

An Interview with Henry “Hank” Greenspan by Kobi Kabalek

37 4 coverSpecial issue: Exhibiting the Holocaust in the Immediate Postwar Period: Histories, Practices and Politics (Part II)

 No Silence, but Whispers - Postwar Exhibitions on Nazi Crimes and the Shoah in Austria, 1945–1965 by Béla Rásky

Where Art Met History: Holocaust Exhibitions in Early Postwar Hungary by Véri Dániel

“Lest We Forget”: Bringing Atrocity Home through Immersive Photomurals by Rebecca Frank

Whose Barbarianism? Exhibiting Antifascism, the Resistance, and the Holocaust in Post-Fascist Italy by Raffaele Bedarida

“Because They Were Jews!” The Postwar Artworks of David Friedmann as Eyewitness Testimonies by Miriam Friedmann Morris

37 3 coverSpecial issue: Exhibiting the Holocaust in the Immediate Postwar Period: Histories, Practices and Politics (Part I)

Introduction by Rachel Perry and Agata Pietrasik

George Kadish’s “Modest but Important Beginning”: Exhibiting the Holocaust to Survivors, 1945-6 by Rachel Perry

Exhibiting the Holocaust in Majdanek and in Bergen-Belsen by Agata Pietrasik

Exhibiting the Missing: The World Jewish Congress’ London Exhibition of 1947, ‘Search for the Scattered’ by Christine Schmidt and Dan Stone

Artists within Barbed Wire: Art Exhibitions in the Detention Camps in Cyprus, 1947-1948 by Daniela Ozacky-Stern

Traumatic Realism and Exhibition Design at the Ghetto Fighters’ House, 1953 by Chelsea Haines

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